Perhaps the most challenging of all types of reading is syntopical reading, which applies the analytical skills across a multitude of texts. Syntopical reading aims to compare books and authors to one another, to model dialogues between authors that may not be in any one of the books.
The ultimate aim is to understand all the conflicting viewpoints relating to a subject. It’s not to devise your own synthetic answer, as this would merely be an entry into the literature, rather than an understanding of what already exists.
Where in analytical reading you were the student and the book was the master, in syntopical reading you must be the master of your own inquisition. It is now time to determine what is applicable or not to your subject.
The major steps of Syntopical Reading are:
The authors suggest omitting imaginative works from syntopical reading, because the propositions are obscured by plot and are rarely explicitly attributed to the author (a character’s speech could be satirical).
The ideal is to be objective, but this is difficult to uphold, especially in subtle ways like the summarization of arguments and the ordering of answers. The antidote to this is constant reference to the actual text of the authors.
Example: The author’s syntopical reading on Progress
Coming to terms: progress is used primarily to indicate change for the better, though a minority referred to is as negative changes. The authors then had to refer to the latter as “non-meliorative advances” rather than progress, thus changing the original authors’ term.
The major question is, does progress occur in history? To this the major answers are 1) yes, 2) no, 3) we cannot know.
However, there are quite a few ways of saying each of these.
There is also controversy: 1) is progress necessary, or contingent on other occurrences? 2) will progress continue indefinitely? 3) is there progress in human nature as well as in human institutions?
Finally, there are 6 respects in which progress occurs: 1) knowledge, 2) technology, 3) economic, 4) political, 5) moral, 6) in the fine arts.